Fragarak Releases New Track

Experimental death metal band Fragarak from New Delhi, India released a new track from their upcoming second album just a few days back. A Spectral Oblivion‘ will be a 11-track concept album and the band has taken an “experimental approach to heavy metal” and the album.  They even got the Australian drummer Louis Rando (Impiety) to record for the album.

“In Rumination II – Reflections” is a 11-minute long track which has many progressive and melodic elements which makes it stand out from the conventional death metal bands. Particularly the guitars sound very well, from the heavy riffs to the acoustic parts.

Here’s a link where the album can be streamed:

These guys will be going on a seven city tour after releasing this album. They will be releasing the album at Kolkata Old School Metal Association’s seventh gig Strength of Steel II on the 20th of August at Triguna Sen Auditorium, Jadavpur University, Kolkata. They will be playing there alongside 6 of Kolkata’s great bands. Be there to witness some pure old school magic. Get your passes now!



Loathfinder – The Great Tired Ones Review | Planet Caravan

Godz Ov War Productions are about to release the debut EP of a band called Loathfinder in April. They are a blackened doom act from Poland, and we just received an advanced promotional copy of ‘The Great Tired Ones’ from the label to review.

Before I go into the tracks of this EP, the first thing that I liked about this album is the fascinating cover art which has been done by Robert A. von Ritter (Outre, Diabolizer, Witchmaster) with the design and colours being the creations of Maciej Kamuda (Nekrofilth, Kingdom, Ectovoid). The mixing and mastering on this has been done by Haldor Grunberg of Satanic Audio (Azarath, Thaw, Blaze Of Perdition).
The very first track itself establishes the slow morbid death/doom metal sound of the EP. The gainy riff has a bit of stoner doom influences of the likes of Sleep and Electric Wizard and the vocals sound along the lines of Obituary’s Tardy. The melodies and the melancholy guitar interludes add a different flavor to the song. The next track “Feast On My Entrails” goes a bit more aggressive and the tempo changes are really good.

“Scents Of Regression” begins with a pounding bass intro and has a oppressive atmoshphere throughtout the riffs. The vocals are also tighter in this one and needless to say this one’s my favourite track from this record. The EP ends with the title track which has a very eerie intro and has melodic guitar interludes like the first song. The guitar works reach a new level here and the melodies have been perfectly placed alongside the riffs.

Overall this is a typical blackened doom sound with the band not going into any ‘experiments’ at all. But they have done a very decent job with the music and the mixing. This is likely to appeal a lot to the old school crowd.

Written by – Spirit Crusher

Sinner – Tequila Suicide Review

Even though front-man Mat Sinner must surely have his hands full with his many projects (Primal Fear, Voodoo Circle, Silent Force, the Rock Meets Classic project), he evidently still finds plenty of time for his band, Sinner, who have been part of the German heavy/ power metal scene in various forms since 1982, selling over a million albums worldwide.
Due on March 31 via AFM Records, ‘Tequila Suicide’ is the German heavy metal band’s eighteenth studio album, being co-produced by Mat Sinner and Dennis Ward (Pink Cream 69), and features Matt on vocals and bass, Tom Naumann and Alex Scholpp on guitars and Francesco Jovino on drums, plus special guest artists such as Gus G (Ozzy Osbourne, Firewind), Ricky Warwick (The Almighty, Thin Lizzy), Pete Lincoln (The Sweet) and Magnus Karlsson (Primal Fear).

The record kicks off with a bang, opening with fast and hard rockers such as “Go Down Fighting”, a fast number with a punkish feel and the title song “Tequila Suicide”, one of the highlights of the album with its energetic licks and catchy hook. The record transitions to a strong midsection, straddling various genres such as the power metal rocker “Dragons”, “Battle Hill” a hard and impactful metal number with a slight Celtic feel, and then going mellow in the fine ballad “Sinner Blues”. The latter part of the album continues delivering hard rock/ metal songs that, while fun to listen to, ultimately fail to stand out much, with the exceptions of “Gypsy Rebels” and the closing track, “Dying On A Broken Heart”, another soft number that gives the album a memorable ending.

Ultimately, while there is nothing on ‘Tequila Suicide‘ that hasn’t been done before, it still makes a worthy addition to the collection of any diehard metalhead, delivering a power packed mix of catchy vocals over frantic guitars and chugging bass, along with some really awesome album art – one hopes that Sinner release their next album soon.

Written by: Akshit Bajaj

Interview With Arnwald

Planet Caravan recently interviewed Belgian “Ambient” Industrial Band, Arnwald! Here’s how it went:

PC: What was the idea behind mixing industrial with dark ambient music?

A: There was no particular idea behind this mix actually. It’s just the sound that came out when I needed to express what I have in my head through the instruments I had at home. But I guess these two styles represent very well the emotional chaos which reigns in my soul for the moment

PC: Not many opt to merge two such diverse things; the first track is a good example of which. Did you want to venture on new grounds by yourself?

A: I didn’t try to invent anything. I just wanted to exorcise myself through music, letting my demons speak through different songs. All the music you can hear on ‘Primal Expurgation’ is spontaneous, like a therapy where you should pour out all your problems without thinking about. I found an artistic way to psychoanalyze myself and if it sounds different than other projects, It’s because everything here is really personal, intimate. And I’m glad that you can notice it.
PC: Is this exactly how you feel about the world?

A: What I feel about the world changes every day. I’m always searching something positive, pleasant but as you can hear on Arnwald: these few rare moments are drowned in a restless dark torment. So, to answer your question, yes, these 11 songs are different ways I feel the world. They are an honest image of my tortured soul at the very moment I composed them. I couldn’t express a lot of beautiful things about it and still have difficulties to do so. But I still fight to find some kind of light through my own hell.

PC: There is a sudden drastic change after the first track, what happened there?

A: Time! When you have to unleash all these feelings devouring you from the inside, it takes time to let all out and the first song is also the very first composition I made for Arnwald. It was like a first date by your psychiatrist, you need to measure how he reacts to the shit you tell him on the surface before you vomit the ugly part. Let’s say that this song was like the first attempt to unveil a little part of this obscure me and “Primal Expurgation” represents the first sitting.

PC: It’s like the industrial revolution taking over the darkness, was that intentional? Or you let it flow?

A: No, that was not the plan but why not? As I wrote before, all here was spontaneous and came as you can hear it. Even if Arnwald means a lot for me and have some kind of a catharsis meaning, I think that this sort of music should let everybody’s imagination work to create their own microcosm around. I’m really interested to read how you feel or describe my music, actually. I would be curious to gather all interpretations the listeners have from it.

PC: The album has drone influences throughout any band or artist specifically influenced you a lot?

A: Here again, I should say that the only influence I had to create this album was myself. Of course, I’m listening to Dark Ambient bands, but I think that they didn’t really play a role here as I only searched the sounds and instruments who really translated my mood at the moment. I really concentrated on my feelings and what I have to spit out through it. The thing is that I even can’t put words on what I need to express and that I really need to find the right sounds and screams to represent it as near as possible.

PC: The vocals are so demented like. How did you manage to portray the darkness so well?

A: Thanks a lot, I guess I succeed to pass a message if you feel them like this. The vocals are like some sufferings escaping my head, a raw way to let you all understand how much pain and despair I have inside. As  an introvert person, I accumulate a lot of very violent and strong emotions through the years and they created like an enormous magmatic chamber inside which is ready to explode. This has a very bad influence on my personality and it throws me in a very thick darkness I’m trying to flee from. I guess to portray something at its best, you need to experience it deeply. I’m very glad that the experience worked for me.

Interview With Piston

Piston is a thrash metal band, from Bangalore, which was formed in early 2016. Their music is very much old school in nature and influenced by the likes of Metallica, Exodus, Slayer, Sepultura, Overkill etc. They have played in front of audiences two times soon after their inception and are currently working on coming up with their first EP.

Preetham – vocals
Rakshith – drums
Faizan – bass
Sheshashayi (Shai) – guitar.

We, at Planet Caravan, recently interviewed them and this is how it went:

PC: You are very much new to the metal scene. How did you get together and start off as a band?

We take great pleasure in going to shows and watching metal bands perform. It’s hard not to imagine yourself in a band when you routinely witness crowds losing it over good performances. It’s important for a band to have a vision common to all the members, and that is how Piston came together. We share a deep-rooted love for old-school thrash metal, with common influences like Exodus, Slayer, Sepultura etc. There exists a small vacuum of good thrash metal bands currently active in Bangalore, as well as in India, and we wanted to fill it.

Preetham: Faizan and I have been friends for a long time, and I have been close to Rakshith for a few years, having bumped into him at several gigs(literally). I met Shai through Rakshith, and instantly bonded over our common influences; a week later, we were a band. I’ve devoured biryani and chai countless numerous times with my buddy Faizan, and it was clear that I wanted him in the band. He’s a bassist for the respected mince/grindcore band Nauseate, and so bass duties it was, for him. Rakshith played for a good six-seven bands already, so I was hesitant to ask him to be a part of ours. We’d ask him to join us for jamming sessions, and he always obliged. Luckily for us, we didn’t have to go looking for another drummer as he agreed to be a permanent member.

Shai: I have been playing the guitar for a long time, and was a part of a few amateur bands for the past six years. Those bands didn’t take off, however, over creative differences – I invariably end up writing thrash when I compose, and the other band members weren’t into that music.Rakshith has been a good friend of mine for some time, and he introduced me to Preetham at one of his gigs. My disappointment over my previous projects led to us getting right down to business when we learned about our shared love for thrash; I wasn’t going to waste an opportunity to start fresh, and this time with band members who had similar interests and influences.

Rakshith: Impending Doom VI in January 2016, is where this journey began. We were all under the same roof, listening to and critiquing the bands that played on the day. We started off as a band soon after, with several fun jamming sessions that I filled in as a drummer for. At some point, we decided to start writing our own songs, rather than endlessly playing covers, and that’s when I knew I either had to commit to this band, or make way for another drummer as a permanent member. The choice was an easy one.

Faizan: I was asked to be the second guitarist, but I felt the trio needed a bass guitarist, and hence started my role in the band.
PC: Any reason for calling yourselves Piston?

Preetham: Rakshith and I are motorcycle enthusiasts and frequently discuss these beautiful machines. As has become a routine now, we were at a gig, showering praises on my favourite motorcycle, the Jawa/Yezdi Roadking. While going over the engine specs and functioning, it occurred to me that “Piston” would make a good name for a band.

Faizan: In my memory, we were at the gig that Preetham mentioned, and while discussing bands, a friend of ours chipped in, saying ““Piston”, with pointy letters in the logo, will be a nice name for a thrash metal band”. I immediately told Preetham, “This is what we should name our band.”

Shai: It’s an inside joke with the band, that I’m not much of a bike-riding type, but the name sounded cool and had that old-school heavy metal ring to it, and we went with it.

PC: How would you describe the sound of Piston? What are your influences?

We play straight-forward thrash; fast, aggressive, adrenaline-inducing music with crunchy guitars that play catchy riffs, complimented by audibly chunky bass lines, pounding drums, and interspersed with raspy, ‘in your face’ vocals. Our common influences are many, with the likes of Metallica, Exodus, Slayer, Sepultura, Demolition Hammer, Razor, and Overkill.

Preetham: Outside of common influences, my favourite albums would be ‘Pyromania’, ‘The Final Countdown’, and ‘Wheels of Steel’, among other classics.

Shai: My influences vary largely. I’ve taken inspiration for melodies from the likes of Yngwie Malmsteen and Marty Friedman, and the same for unconventional song-writing from the likes of Chuck Schuldiner and Willie Adler. Death and Megadeth have been my all-time favourite bands. Lately, I’ve taken a strong liking to Sadus.

Rakshith: I’m influenced by rock legends Ian Paice, John Bonham and Neil Peart. Among metal drummers, I’d count Dave Lombardo and Igor Cavalera. ‘Early’ Sepultura is probably my all-time favourite thrash metal band.

Faizan: I’m a hugely influenced by death metal, punk, and grindcore. Some of my favourite albums are ‘Considered Dead’, ‘Consuming Impulse’, ‘Altars of Madness’, ‘Piece of Time’, ‘Blackmore’s Rainbow’, ‘Scandinavian Jawbreaker’, ‘Dropdead’ etc. I started off as a vocalist, but ended up with the guitar and bass because I couldn’t find the right ones to collaborate with at the time. My influences as a bassist are Lemmy, Cliff, DD Verni, Steve Di Giorgio, Webster and the likes.

PC: What are the themes behind your music and lyrics?

Our lyrics are primarily socio-political in nature, with strong anti-establishment sentiments. We take stabs at issues that plague society, ideologies that are in vogue, the media, the judiciary, etc. With the Internet, we are at no loss for topics and themes we could write about, and we have no trouble sharing our often-brash opinions on things. That said, writing quality lyrics goes beyond merely commenting on everything political, and we hope to explore more topics and write more literary songs in the coming years.

PC: What are you people currently up to? (gigs/releases/recordings?

Considering the short time that we’ve been around for, we’ve received a surprisingly good amount of appreciation from friends and metalheads who watched us play. When we started getting positive feedback from those living outside Bangalore, we knew we had to give the band more time – clearly, we had touched a chord with thrash metal fans. That encouraged us to go into the studio to record some of our material. We are working on an EP at the moment. With our jobs taking up most of our time, and the limited resources we have, it’s taking more time to produce than we would like it to, but it’s in the works. We should have it ready for publishing, a month from now.

PC: Since you are a new band, I would like to ask you about the difficulties that a metal band faces in the initial days in India. How are you dealing with them?

Preetham: A new band shouldn’t have to face problems if the musicians are like-minded, and are dedicated to the rigors of song-writing, playing shows and recording the music. Playing for a new band is often a thankless endeavour, as they aren’t paid at shows and ironically, even have to foot a bill. This doesn’t affect us, since we were prepared for this industry practice and only committed to forming the band when we were sure we could afford to carry our own weight for a good while. The idea was to make music and make it accessible to people who appreciate the style that we play, and so far, we appear to have had some success in doing just that.

Shai: A common problem new bands face is when they try legitimizing their presence in the scene by playing for a crowd, and as luck would have it, it’s usually at the college festival cesspool. This is where bands are exposed to very unfriendly rules, limited time to play their set, bad equipment and blatant bias in judging the bands. These experiences are irreversibly damaging to one’s confidence and motivation to keep working on the band. When we formed Piston, it was a breath of fresh air for me to see that all our band members are dedicated, and think of the long haul. We’re in this to make good music for years to come, and it’s unlikely that we’ll let the spirit fizzle out like a lot of young bands do.

Faizan: Recording is the biggest hurdle for a new band. There are a lot of factors that go into good recording, and getting a single one wrong can affect the quality significantly. It doesn’t help that recording is a time-intensive process, and costs a bomb. Piston is a new project, but each of us has been a part of other bands. Rakshith and I have recorded a demo and a split album with our other bands, and all of us have recorded covers in the past. This experience has smoothened out the process for us. Buying equipment and jamming regularly is another hurdle, as they burn large holes into your pockets.

Rakshith: There are difficulties every new band experiences, and most of them are brought upon by themselves. Ego clashes are a common phenomenon, once the initial exuberance fades away. Financial security and constant expenditures also tend to make amateur musicians disillusioned with the whole idea of playing for a band. I have seen more than a few bands that exist merely on paper. They don’t jam frequently, play meaningless college shows, and limit their own ability to grow as musicians by mindlessly playing covers. Being aware of these, we are trying to avoid the obvious pitfalls.

PC: What is the current scenario of the music scene, particularly metal, in your hometown?

Bangalore has the reputation of being one of the oldest cities to have an active metal scene, and with a keen ear, one can almost hear parting whispers from the hundreds of bands that have played shows here. One doesn’t have to look hard to find all kinds of bands in the city, from hard rock to grindcore. The crowd is as diverse and open to appreciating music as the variety of musicians on offer. We are glad to have been in Bangalore all our lives. The city moulded our tastes in music, and made it easy for us to get acquainted with all that was necessary to explore, appreciate, and learn to play the music that we like. With a large number of gigs – featuring both local and International acts, and older musicians and metalheads who acted as our mentors, this city has had a lot to offer. We do wish there were more venues which provide good equipment and sound, however. And that they were more affordable for us to organize shows at.

PC: You have already played in a couple of gigs. How has the experience been so far?

The experience has be great so far. We have played two shows. The first show was a tribute to Metallica and the crowd was very enthusiastic. We uploaded videos from this show, and we got offered another gig in the same month. Since we didn’t have a page back then, it’s our guess that word of mouth got people to message us on Facebook, congratulating us and appreciating us for playing what we did. We played some of our own compositions in the second show. This led to us answering a lot of queries about whether we have recordings of what we played.

PC: Finally, do you have any message for the heavy metal maniacs?

Preetham: A message to metal maniacs? Haha! Drink good beer, listen to good music, hangout with musicians, mosh, lose yourself, and be sensible. Spot a poser? Kick ‘em in the butt!

Shai: For budding musicians, I’ll say, play the kind of music you would buy and listen to. Also, have your own unique sound and style which make you stand out. And as for the fans, attend shows and have a blast. Support those who play well. For a musician, genuine appreciation is fuel – bands truly need you and will appreciate your support.

Faizan: Keep writing and playing music – the more you do it, the better you get. Also, record a demo; it’ll help you learn about recording, on a budget.

Black Metal Band Lebenssucht Interview

Lebenssucht, a black metal band with members hailing from Germany and Bulgaria           released their first EP called ‘Fucking My Knife‘ previous year.Planet Caravan recently took their interview.Read it below.


 1. How did you guys come together?

  • S Caedes:  Ahephaïm and me, we already knew Déhà before, since he mastered the album of our other band Humanitas Error Est. We quickly felt, that there is a special link between us, so we visited him in Sofia, had a great time together, discussing a lot about who we are, what life means to us etc. and of course, also about music. The idea of having a band together was born, since we all felt the need to create something very special. Music, which is the mirror of our inner self. Music, with an nightmarish ambiance, which leaves you unhappy happy.


2. Déhà, you have so many projects going on right now. Is it difficult for you to squeeze out time?


  • Déhà: It is, but it’s not really a matter for me. It’s a visceral need to make music. With Lebenssucht, it is another form of expression. Also, it’s a band. Not a solo thing. Working with the whole band has become precious to me.


Lebenssucht Performing At Autumn Souls of Sofia Festival 2016


3. You guys just did a show in Sofia, how was the experience?

  •  Ahephaim: It was really great to bring our music live in the city where all begun! And the feedback from the audience was really amazing. Definitively a very nice experience.


  • S Caedes: I can clearly say that it was amazing. We also got very good feedback after our gig. Always great to know, that you can reach the people with your music. Especially live.


4. Tell us more about the EP- Fucking My Knife.


  • S Caedes: You should hear it, feel it. Then you know.


5. What were you guys thinking? Did you set out with any particular goals in mind or just wanted to bring hatred to the world?

  • S Caedes: Lebenssucht is not about bringing hatred to the world. It’s about enjoying your life, no matter what price you have to pay for. It’s about turning negativity into strength. Life is our drug.


  • Ahephaïm: As S Caedes said, hatred is not really what moves Lebenssucht, but a bunch of other feelings much more subtle. This band is like an emotions magnet, helping us to put in music the ugly things we have inside.



6. The EP isn’t exactly how we know DSBM to be. It has much heavier tinge of doom in it. Both in music and in vocals. Was that intentional?


  • S Caedes: Easy thing: we are not a pure DSBM band. We want to express ourself, and we are absolutely not interested in limiting our music to a special genre.


  • Déhà: I like to think that Lebenssucht is way past the typical DSBM scene but more in black metal. Of course, we can’t deny the influences, but we are most of all black metal.


 7. Any full lengths coming up?

  • Déhà: Yes.


  8. Do you guys prefer to remain underground or wish for more widespread popularity?

  • Ahephaïm: Personally, I don’t make music to listen to it in a cave with some grimy friends. Music is a way to communicate something and I don’t see why we should limit this communication to a very intimate circle. Lebenssucht will grow as far as the people who are listening to us will carry it. And it’s not a question of commerce, it’s just about sharing our universe and touch people who understand this microcosm.


  • Déhà: I speak for myself here: popularity is stupid. Otherwise we wouldn’t make this kind of music. Having recognition, people who understand us, that’s the goal.


  • S Caedes: I don’t care about underground or popularity. I want to reach people, who understand our music, who are able to feel our music.


 9. What are your musical influences? What drew you to music as a whole? What got you into metal? And how did you find your liking for extreme metal?

  • S Caedes: Primary I’m into DSBM and Black Metal. My favourite bands are Psychonaut 4, Lifelover and Taiga. Without any doubt. But I also like Marduk, Urgehal, Endstille, Taake – just to name a few. Besides this, I’m also very into Dark Ambient / Martial. Bands like In Slaughter Natives, Gnaw Their Tongues, Triarii, Puissance – again, just to name a few – are one of my favourites. This is always a matter, if I feel the need for harsh, brutal music or, like I always say, to be stitched by needles. What is the most important, that music gives me an extreme input. I need to feel it. Well, and how I came across extreme metal,… all started when I was 12/13. When I listened the first time Black Metal, I just knew, that’s it, that’s me.


  • Déhà: I am not going to answer since it would take forever concerning my own experience. But let’s say : my influences are huge, from Pink Floyd to Beethoven to Bones or actual black metal.


  • Ahephaïm: For my part, I listen to nearly everything as long as the music contains a real aura, no matter of style. My main influences are coming from the black metal/dark ambient scene but I also began with Guns N’ Roses and Metallica evolving through Brutal Death, Grindcore, Hardcore, Punk, Classic, or even bands like Die Antwoord, Suicide Commando, … All music genres have something great to offer. For me it was easy to come to the metal world as my parents were already in, listening bands like Led Zepplin, Deep Purple, Black Sabbath, … The way into the extreme is a lonely journey, something necessary for me avoiding going crazy with that much devouring and brutal feelings inside.


10. And how do you maintain balance between so many bands which all have such diverse sound?

  • S Caedes: Thing is, that every band includes a special part of my character and my (view of) life – this is also the reason why all bands sound different. I can express myself with all emotions, which need to be unleashed. What is the most important for me, that I always remain true to myself and my principles. And, to have enough physical and mental reserves for all bands.


  • Déhà: Making music as we see (hear) fit.


  • Ahephaïm: I really join S Caedes on this point. Every of my bands brings me something else, otherwise it wouldn‘t make any sense to cumulate several of them. You can‘t always express yourself completely in one entity, so you have to sometimes spread some parts of you with other ones.

Thanks for your time!


Lebenssucht Is:

S Caedes: Vocals

Ahephaim: Vocals, Drums

Déhà: Vocals,Guitars, Bass

Forged In Fire III: The Headliner | Kryptos

Well, less than two days are left for Forged In Fire III! And, now that we have covered all of the local bands, the time has come to talk about the headliner. KOSMA has been able to finally fulfill the long awaited dream of bringing Kryptos-undoubtedly one of the best old school heavy metal bands of India-to Kolkata.
Formed in 1998 by Nolan Lewis and Ganesh Krishnaswamy, the band has been hanging around the Indian metal scene for almost two decades, ‘evoking the true spirit of heavy metal the way it was always meant to be.’ Their sound has a strong blend of classic heavy metal bands like Priest and thrash bands like Kreator, and it has changed and evolved over their four albums.  They have supported some of the biggest names in heavy metal and toured Europe multiple times, and even played at Wacken Open Air (they are about to do it for the second time this year).


Photo Courtesy: AFM Records, Germany

They released their fourth album ‘Burn Up The Night’ under AFM Records, Germany just a few months back which has been widely acclaimed. We reviewed this album and you can read it here.

And, here’s how our conversation with Nolan about the band’s present and future turned out to be:

PC: You recently released ‘Burn Up The Night‘ which got numerous positive reviews. What are your thoughts on that?

Kryptos: It has been great so far. The overall reaction has been really positive. Sure, there are some who still prefer the aggression of our previous album, but most people who bought ‘Burn Up The Night‘ seem to really love it. The album’s been doing very well in Europe too; so things are good at the moment.

PC: What is Kryptos currently working on?

Kryptos: Nothing much. Just gearing up for a couple of gigs in Chennai and of course Kolkata. We’re really looking forward to that one!

PC: What are your future plans regarding albums and gigs? And how does it feel to be a part of Wacken Open Air for the second time?

Kryptos: We’re working on another European tour in the summer, and yeah it’s awesome to head back to Wacken again. That’s going to be fantastic. After that we’ll probably start writing again for the next album so it’s ready by mid 2018.

PC: I think Kryptos will be performing for the second time in Kolkata. What do you think about the metal scene of the city?

Kryptos: We had a blast the last time we played in Kolkata. There’s a really cool old school scene there and we get a lot of support from that side of the country. Plus, we have some good friends there who make sure we’re well taken care of .
And of course, the Kolkata scene has really good bands like Armament, Mortar, Deadbolt etc., so it’s always great to play there.

PC: What can we expect at the gig from Kryptos? And any message for your fans?

Kryptos: We’re just going to get out there and absolutely rage, and we’re going to drag everyone else along with us. We’ll put on a show that all the old school headbangers will remember for ages.To the fans we just have to say – Keep defending the faith. And don’t eat Five Star Chicken. It sucks. Haha!

So this is our last article regarding Forged In Fire III. We wish Kolkata Old School Metal Association all the very best for the gig! Everyone who can be in or around Kolkata do attend the show and provide some support to the local scene Passes will be available at the venue if you still haven’t got yours.

Cheers! Until next time!